I’ve been to a few comic museums – Toonseum in Pittsburgh, the Cartoon Art Museum in San Francisco and recently the Billy Ireland Cartoon Museum at OSU and so far I haven’t seen that perfect cartoon museum, or at least the one big feature I want to see. I mean all of the facilities I mentioned are very nice – but none of them are made for the comic medium itself and that is the biggest issue.
Comics are sequential art. Comics usually tell a story. Comics usually are not a static moment like paintings are, like photographs are, like statues are. Comics are a serial art form and while a single page can show a lot, it doesn’t capture what a comic is – a way to tell stories. If you only give part of a story, devoid of context, you loose a lot. It becomes all about the art and writing for that page, not how everything ties in, and it removed the comic as a tool to tell stories. When you start posting single pages of original sets of art on the wall for a comic museum, devoid of context, unless that page is an entire story, you’ve messed with the art form. You don’t cut a hand off of a full body statue and put it in a museum as a solitary piece of art. If you post a single movie still, that is not the same as showing the actual movie – and sure it may be helpful to illustrate a directorial style but you miss the context and the actual format of the art itself. A well shot still from a movie is not a movie itself. A single page from a multi page story is not itself.
The Wolf of Wall Street by Martin and Other People.
Powered by a dangerous intellect, a dash of sardonism and the ability to get away with crimes of any and all calibers, Leonardo DiCaprio’s character in The Wolf of Wall Street, Mr. Peabody, is one of the most shocking characters to enter the silver screen in decades. The film follows the irascible Mr. Peabody as he adopts Sherman, played by a very off sounding Jonah Hill, as they help to shape the course of the world, fight several government organizations, and in a shocking twist, are praised for bringing the world safely back from a near-collapse that they actually caused.
from War Machine #9 by Greg Pak, Allan Jefferson, Nelson Pereira and Jay David Ramos
The Dulles Brothers lead the fight against communism. They lead the presidents to the targets at Allen Dulles was the Director of the CIA and his brother John Foster Dulles was the Secretary of State. Two men had the power, connections and belief that shaped the world during the Cold War leading us into Vietnam and the Middle East and without them, the entire world would be vastly different.
Norman Osborn had the power, he had the connections and the beliefs but what ultimately lead to his downfall through the events of Dark Reign and Siege are what made him a fascinating figure.
Osborn became the director of HAMMER after using his Thunderbolts (and information he stole from Deadpool) to stop the Skrull Invasion. He was able to completely oust the former administration, he was able to turn those would would oppose him into pariahs and outlaws and with his public support he could have ruled indefinitely except for one thing – his partners – The Cabal and The Dark Avengers.
My slowly growing collection of Heroclix figures has once again lead me to check out the Marvel Super Heroes RPG. I mean, where else can you play with a bunch of Marvel characters and also have most of them with stats – at least for the mid-80′s when the books for the game were coming out.
Unfortunately I’ve discovered the dark secret about how these stats were generated and how we lost national wheatcakes icon, May Parker.
I really don’t care too much, nor do I know that much about Aquaman. He’s not one of my favorite heroes. He lives in a state of almost universal derision, except by his strange cult like following. I’m in the middle ground – Aquaman seems like a pretty cool guy. I wish I could have his powers to be honest. But the thing is where do you approach his story for an Aquaman movie. What is important?
The Gutters is a comic written by comics fan and creator Ryan Sohmer that attempts to address current comic news and events. There is nothing wrong with this in and of itself, but ultimately Sohmer often seems confused with what the issue actual is failing both discerning readers and… well everyone who unfortunately chooses to read The Gutters.
Written by Brian Winkeler
Art by Robert Wilson IV
Colors by Jordan Boyd
Letters by Thomas Mauer
As a fan of horrible breakfasts, I can empathize with Trevor in the newest issue of Knuckleheads which overall, I enjoyed more than the first three, which is always a good sign. If you recall, he said casually linking back that earlier article, the first arc of issues was good but it felt tied to the past, like it was just telling the first story over again to get it done with, needed some more splash and action. And here we get less action but we get a whole bunch of splash along with a side order of heart disease in about 20 years if we don’t start exercising more and eating better.
So the Ultimate Universe is ending – theoretically – with Cataclysm. I mean they have Galactus there (instead of Gah Lak Tus) and he’s going to eat the planet. But for people who lost track of the universe I figured I’d go over what has been happening since the reboot (because that’s what I spent my weekend doing thanks to Marvel Unlimited and other sources).
Radio Hope and The Reader is a weekly podcast set up like the journal of a superhero, The Reader, John Black, stuck on a satellite in space as he copes with his own loneliness as well as trying to solve the problems of the planet Earth.
Written and Narrated by Luke Herr
This week! Holiday Road
Hope Satellite illustrated by James Lloyd.
Click here to listen to episode 9 (it’s about 20 minutes)
or here to download the ninth episode.
Notes and commentary after the jump. Read more